Video Sound and Production - Project 2

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Video Sound and Production - Project 2

16/10/2024

huang jiaqi/0371553

Video Sound and Production - Project 2/ Bachelor of Design  in Creative Media


TABLE OF CONTENTS


1.Instructions

2.Lecture

3.Task

4.Feedback

5.Reflection


 Instructions







LECTURES

Week 4:


What is Production Crew ? (Beginner)

The production crew is a team of professionals who work together to create a film or video. Each member of the crew has a specific role and set of responsibilities, which are essential to the overall success of the production. Here are some of the key production crew members and their tasks:

1) Director
  • The director is responsible for overseeing the entire production and ensuring that the creative vision for the project is realised. 
  • They work closely with the cast and crew to block out scenes, direct the actors' performances, and make creative decisions about the look and feel of the film.

2) Producer
  • The producer is responsible for the logistical and financial aspects of the production. 
  • They secure funding, hire the crew, coordinate the schedule and locations, and ensure that the project is completed on time and within budget.

3) Cinematographer
  • The cinematographer, also known as the director of photography (DP), is responsible for the visual aesthetic of the film. 
  • They work closely with the director to choose the right camera, lenses, and lighting to achieve the desired look and mood for each scene.

4) Production Designer
  • The production designer is responsible for the overall visual design of the film, including the sets, costumes, and props. 
  • They work closely with the director and cinematographer to create a cohesive and immersive visual world for the story.

5) Sound Designer 
  • The sound designer is responsible for the audio aspects of the film, including recording and editing dialogue, sound effects, and music. 
  • They work closely with the director and editor to ensure that the sound and picture are seamlessly integrated.

6) Editor 
  • The editor is responsible for assembling the footage into a coherent and compelling story. 
  • They work closely with the director and sound designer to shape the pacing, tone, and structure of the film.

(Advanced)

There are many other roles on a production crew including grips, gaffers, makeup artists, and stunt coordinators, but these are some of the key positions and tasks involved in the filmmaking process.

Quiz

Asynchoronous class materials

Stages of film production:

1) Development
  • Idea generated by producer of screenwriter, and they begin to turn the idea into a movie/film.
  • Producer is responsible in collect the creative elements, called putting together a packagae. This include screenplay, IP. director and actors.
  • A package should reflect good sell-ability, which attract investment from the financier.

2) Pre-production
  • This is the stage that includes the necessary preparation before the filming begins. 
  • For example, budget management, gathering team and pre-visualizing using storybaord.
3) Production
  • This is the stage that the actual film take place.
  • This stage will include the call sheet (schedule for each department and what should they do), the set up (lighting, camera, make up and costume) and shooting.

4) Post-production
  • After capturing the footage, this is the time for post-production.
  • Thsi include tasks like picture editing, sound editing and additional visuals like VFX and CGI.
5) Distribution
  • This stage is often under-discussed in the film production stages. 
  • This stsage includes marketing and securing distribution.

Quiz


week5

Colour Correction

Color correction refers to the process where every individual clip of a video footage is altered to match color temperature of multiple shots to a consistent technical standard of appearance.


Digital video coloring steps:

  1. Establish picture profile
  2. Color correct footage
  3. Color grade footage


What is color hue?

Hue refers to the color itself. In simplest terms, it’s the difference between red and blue. Your hue can then be altered by saturation and brightness, which we'll cover as soon as we give you a few paragraphs on hue.

Together, hue, saturation, and brightness are known as "HSB." This combination makes up the basic color concerns of any video image.

Hues don’t always have to be vivid, primary colors.

What is color saturation?

Saturation refers to the intensity of the color. This is determined by the amount of grey in the hue, from pure grey, to a vivid color.

Saturation is where you really get to make your colors "pop," or, at the other end of the spectrum, become "muddy." Believe it or not, this is all due to the amount of grey information in the color. Seems simple, right?

If you add pure white or pure black to your color, you’ll get a darker or lighter brightness value, which is our next category.

What is color saturation?

Saturation refers to the intensity of the color. This is determined by the amount of grey in the hue, from pure grey, to a vivid color.

What is color brightness?

Brightness refers to the level of light in your color. This determines the difference between, say, burgundy and candy apple.

1. White Balance

White balance is the same thing in your camera as it will be in coloring programs. It describes the color temperature of your image.Your white balance should be one of the first things you do, because it will affect every single decision you make from there on out.

2. Scopes You will want to use scopes (Waveform, Parade, Histogram, Vectroscope) to give you some extra value color info that you didn’t see initially.Scopes are a monitoring tool that show color and light information on a graph so that you can see the precise balance of these characteristics and how they compare to one another.

3. Curves Curves are helpful for precise color correction and color grading, and you will want to pair these with your scopes.

With curves, you can add points to drag colors to new values, and change shadows, midtones, and highlights with much more precision.

4. Color Match Color match allows you to choose a reference image that will then be analyzed and applied to your target image.

This is an automatic calculation, so it is important to check your scopes and use your judgement as to the quality of the color match.

5. Three-Way Corrector Three-way color correctors are a useful tool for many colorists in professional entertainment, but they have their pros and cons.

The three-way color corrector lets you balance the shadows, midtones, and highlights of an image using color wheels. You can set numerical values, or use the control drag point to set your value based on hue.

6. Color Qualifiers Color qualifiers give you the chance to change a particular color, or range of colors, without changing the rest of the picture.

7. Color Masks In the DaVinci program, color masks are called Power Windows. These work a lot like masks in Adobe Photoshop. You can designate a shape to isolate its colors.

Quiz



Week 6 Asynchronous class materials

Mise en scène is a French term that translates literally to "placing on stage." In the realms of theater, film, and other visual storytelling mediums, it refers to the overall visual arrangement and presentation of a scene. This concept encompasses everything that appears within the frame or on stage and how these elements are organized to convey meaning, emotion, and narrative to the audience.

Key Components of Mise en Scène

  1. Setting and Location:
    • Physical Space: The environment where the action takes place, whether it's a realistic setting like a living room or an abstract, symbolic space.
    • Time Period: The era in which the story is set, influencing costumes, props, and set design.
  2. Props and Objects:
    • Items used by characters or present in the scene that can symbolize themes, indicate character traits, or advance the plot.
  3. Costume and Makeup:
    • Clothing and makeup that reflect a character’s personality, social status, occupation, or psychological state.
  4. Lighting:
    • The use of light and shadow to create mood, highlight specific elements, and guide the audience’s focus. For example, high-contrast lighting can create a dramatic or tense atmosphere.
  5. Composition and Framing:
    • How elements are arranged within the frame or on stage, including camera angles in film or the positioning of actors in theater. This affects how the audience perceives relationships and power dynamics.
  6. Performance and Acting:
    • The actors’ physical movements, facial expressions, and interactions contribute significantly to the mise en scène, conveying emotions and subtext.
  7. Color Palette:
    • The selection of colors used in costumes, sets, and lighting can evoke specific emotions or symbolize thematic elements.
  8. Spatial Relationships:
    • The distance and arrangement between characters and objects, which can indicate intimacy, conflict, or hierarchy.

Quiz




PrColor proofreading

1. Understand color correction and color grading according to the slide and recorded video, as shown on the last page: Color grading of your production and shooting through the following combinations: 1. Blue-green and orange, 2. Blue (cold color), 3. Green (cold), 4. Brown (warm color), 5. Desaturation, 50%-70%, 6. Black and white, high contrast. VSP Premiere Pro Color Correction 2024



fig1.1Color adjustment process diagram


fig1.2 Color adjustment process diagram

fig1.3 Color adjustment process diagram



fig1.4Color adjustment process diagram

The final finished product





Project 2.A: Production Shoot

Project 2.B: Tiktok Video


Project 2.A: Production Shoot



In this week, we need to form a pdoruction crew and seperate our role for the production shooting project. We are given the video clips and storybaord.


 
fig 1.1Video clips and stories 

LATEST UPDATE - Group 2: Crew list: EDLIN RAIHANA BINTI MOHAMAD FIRDAUS,HUANG JIA QI,IVORY FONG XUAN,LAW JI CHENG LOW GUANG YAN,NICOLE FRANCES ANAK FRANKLIN,PHANG YEE THENG,VIINESHKUMAR A/L MURUGAN,WANG YI FAN,ZHANG WAN RU,HOU XIN RAN,CAI YILA Producer : Aaron Director :Viinesh Assist. D. : Ivory D.O.P : Eddie
Assist. Camera: Nicole Lighting crew : 1.Wan ru 2.Yee Theng
Art Director :Aaron 
Location Sound: 1.Law Ji Cheng 2. Wang Yi Fan, Boom Operator:Wang yi fan Main actors :1.Guang Yan 2.Ashley
Extra : Yee Theng 
 

fig 1.2 Our shooting team




fig 1.3 Add subtitles

fig 1.4 Change the color


fig 1.4 Adjust the contrast

fig 1.5 Add background music

fig 1.6 Add subtitles

fig 1.7 Add subtitles
fig 1.8 Add subtitles

fig 1.9 Color
Project 2.A: Production Shoot Finally made into a film
my link:https://drive.google.com/file/d/1bJ6Hdcj4yulq2dbf5ejTTUc55ZEtnIDx/view?usp=sharing


                                                                 Finally made into a film





Project 2.B: Tiktok Vide

I chose to shoot a vlog about travel to create an atmosphere full of memories by using real materials such as old photos, videos and handwritten diaries. In this vlog, I will take you back to those places full of stories to share the mood at that time and the episodes of the journey. In order to make the picture more layered, I will use a soft transition effect to make different memory fragments naturally connect, as if time is flowing in front of me. At the same time, I will choose warm background music to match the images, so that the audience can better immerse themselves in the memories, as if following my footsteps to relive those unique travel moments.

Insta_TikTok video treatment.pdf,作者 jia qi Huang

    

Insta_TikTok video treatment.pdf                           




fig 2.0 Story section

I used drawing software to make a simple story plate. 

Make progress

 
fig2.1Source material


I sorted out the materials I wanted, and then put them into the software and imported them into the editing software PR.
fig2.2 Import the background music

Import the sound for modification
fig2.3 Import the background music


fig2.4 Put the video material in.
fig2.5 Join to release and process

fig2.6 Add color
fig2.6 Add the back as the end.


Project 2.B: Tiktok Vide


Final Tiktok Video

VSP Project 2 Submission :

 

VSP Project 2 Submission .pdf,作者 jia qi Huang



VSP Project 2 Submission PDF

               




5.Reflection

In this project, I played the role of artistic director and producer, mainly responsible for formulating visual styles and coordinating the whole shooting process. As an art director, my goal is to convey the freedom and spirit of exploration of travel through visual design. In order to achieve this, I carefully selected each shooting scene, from exotic city streets to natural landscapes, and used different pictures to show the diversity of travel. This makes me deeply realize that every visual element needs to serve the theme and help the audience establish an emotional connection.

At the same time, as a producer, I have undertaken a lot of coordination work, including budget allocation, team management and scheduling. In the process, I learned how to optimize the shooting process as much as possible with limited resources to ensure that the project proceeded according to plan. Especially when encountering some emergencies, such as weather changes or site problems, I also learned to adjust the plan flexibly. These practical experiences make me realize the importance and challenge of the producer's work, and the need to balance artistic creation and practical conditions.

Throughout the project, I constantly reflected on how to better combine artistic expression with the theme of travel. I found that travel is not only a change of location, but also a kind of mental adjustment and a new experience. Therefore, when shooting, I pay special attention to capturing the emotional expression of travelers, such as surprise, curiosity, and even occasional confusion in a strange environment. These delicate emotions make the picture more infectious and make the audience feel an immersive experience.

Through this project, I not only improved my visual planning and coordination ability, but also had a deeper understanding of the core meaning of the travel theme. I believe that these gains will have a positive impact on my future creation, so that I can better integrate art and theme in my works and bring the audience a deeper visual experience.





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